Start date: 1st October 2019
Application Deadline: Friday 3rd May 2019 at 23h59min
Interviews will take place on Monday 20th May 2019 at UEA in Norwich
Dr Chris Wingfield (Sainsbury Research Unit) – Chris.Wingfield@uea.ac.uk
Prof. Ceri Ashley (British Museum) – CAshley@britishmuseum.org
In a letter to his brother dated 12 April 1823, the early missionary to South Africa, Robert Moffat (1951, 72), wrote:
As to clothing, I shall first mention what can be procured here. I often wear a Bichuana cap made of fox [jackal] skins. Trousers of a prepared antelope skin… Last winter I had a waistcoat and jacket made of tiger [leopard] skin for the cold weather.
The British Museum holds a number of artefacts sent to London by Moffat, acquired from the London Missionary Society museum (Wingfield 2018), but, sadly, no leather trousers or leopard skin waistcoats. In attempting to tell alternative stories that challenge museum visitors’ perceptions about the past, it can become necessary to consider objects that did not find their way into museum collections, and to explore ways in which they may nevertheless be implicated in these collections.
The primary focus of this project are the relevant historic collections at the British Museum: a number of more traditional leather items, as well as needles and needle cases (some made from leather), and knives (some with sheaths made from leather). Worn suspended from the neck by leather straps, these speak to the significance of leather processing in the daily lives of many nineteenth century Kalahari residents.
This PhD will involve working with relevant collections alongside historic accounts to develop a detailed understanding of nineteenth century leather and skin processing in the Kalahari. It is anticipated that it will also involve a period of fieldwork, working with partners in Botswana, to document contemporary methods used by craftspeople in the region today.
Research questions include:
- How closely do contemporary modes of craft leather processing relate to examples from historic collections?
- To what degree did leather production, already a focus for precolonial trading networks (Wilmsen 1989), become re-oriented towards the European market?
- What was the ecological impact of new hunting technologies such as guns and horses?
- How did the production of leather clothing respond to missionary endorsed forms of dress (Comaroff & Comaroff 1997)?
- Was the technology of leather production impacted by contact with European modes of tanning, including the preparation of skins for taxidermy by natural history collectors in the region (such as William Burchell & Andrew Smith)?
Details of Award
· 3.5 year award (includes a “Student Development Fund” equivalent to 0.5 years of funding)
· The award pays tuition fees up to the value of the full time home/EU UKRI rate for PhD degrees as well as full maintenance for UK citizens and residents only. The value of the maintenance stipend is around £15,559*.
· The student is eligible to receive an additional travel and related expenses grant during the course of the project courtesy of the British Museum, worth up to £1000 per year for three years.
· The Sainsbury Research Unit will also provide the student with £2000 research support funds and £500 in conference support funds over the course of the studentship.
· The successful candidate will be eligible to participate in CDP Cohort Development events.
· Due to restrictions on the funding this studentship is open to UK/EU students who meet the residency requirements set out in the UKRI Conditions of Research Council Training Grants: https://www.ukri.org/funding/information-for-award-holders/grant-terms-and-conditions/
· Applicants should ideally have or expect to receive a relevant Masters-level qualification, or be able to demonstrate equivalent experience in a professional setting. Suitable disciplines are flexible, but might include Archaeology, Anthropology, Art History, History, or Conservation Science.
· Applicants must be able to demonstrate an interest in the museum sector and potential and enthusiasm for developing skills more widely in related areas.
· As a collaborative award, students will be expected to spend time at both the University and the British Museum.
· Part time study will be considered for this studentship.
Project details and how to apply can be found in the link below
Deadline May 3rd 2019